Zoom on the Calvi Brambilla project at Palazzo Bovara, an unmissable stop of the Fuorisalone 2022Elle Decor took the occasion of the 60th birthday of the Salone del Mobile as a dynamic moment of reflection on the intrinsic qualities of design.Ideally retracing the history that unfolds from the past into the present, the idea of an exhibition focused on contemporary living was born in which yesterday and today find a meeting point in “timeless design”.In the house we live in, objects, lamps and furnishings are arranged without apparent temporal and functional hierarchy.They have become interchangeable and overlap as well as the activities that take place inside.But what are the possible criteria for keeping them together?Overcoming the nostalgia effect or the vintage dimension, we looked at the objects currently in production that contain adherence to the principles of 'durability'.The choice made with Calvi Brambilla, in close contact with the many companies involved, led us to identify this characteristic to enhance it and to propose it as an ethical message of responsibility and awareness.An aspect that adds to the great process revolution underway in recent years and that animates the ongoing debate in the design sector.The intent was therefore to define the present in the intertwining between memory and project and in the relationship between personal microcosm and macrocosm of society and the planet.We look at the past not as a container of elements to be emulated, but as an inspirer of free values that can be traced in the present and to be carried into the future at a design level.The multiplicity of expressions and solutions has found in the interpretation of Calvi Brambilla a conceptual and interior design layered organization, which elaborates four transversal “trends” in design of all times.The four main rooms are connected to each other with what also happens in the passage spaces, animated by two different installation moments.One analog and the other digital are equally engaging.It is another way of presenting the current horizontal coexistence of the time.The first, again by Calvi Brambilla, with sophisticated citations, looks back at installation examples of art, emphasizing their significance in the collective imagination.The virtual experience in space, created with Kokoschka Revival, instead moves the visitor forward in a playful dimension of pleasant adherence to today and in the perspective of tomorrow.As in the editorial choices of Elle Decor and in the previous exhibitions organized in conjunction with the Salone del Mobile, the relationship with the natural environment and the exploration of the dimension of living that no longer finds separation between indoor and outdoor could not be missing.This year the invitation was addressed to Antonio Perazzi.We have identified in him the versatile landscape architect interested in realizing with his works the relationship between nature and society that we intended to express.Referring to his idea of "conscious management of a garden" explained not as a question of furnishing a green space, but of an artistic experimentation linked to the environment, to people, to the times according to a moral as well as an aesthetic point of view.The idea that good design leads us to the present and that, by inverse effect, also brings us back to what remains of the past, is in the design DNA of Studio Calvi Brambilla.It is a daily exercise, which the two architects carry out in the dual role of design curator and designers, and which they applied in accepting Elle Decor's invitation to think about the concept of “long-lasting design”.On the condition of starting from products currently in production, especially for those designed in the past, they have drawn a historical analogy between design and the contemporary evolution of living.Right from the start, they adopted a family grouping, identified in four clusters, as a reading key.“Pure, Bold, Mobile, Hybrid” - they explain - “each represent a trend.That is a typical attitude of design, transversal to time and common in the spirit of certain objects and furnishings.The selection is intentionally balanced between pieces inscribed in the collective imagination and pieces more for lovers of the subject ”.This realizes the narrative order placed in four corresponding interior proposals, built as a suggestion of real possibilities of contemporary living to be inspired by.To bring out the aesthetic qualities, genesis and era of each one, the furnishings of today and yesterday coexist in environments created in contrast with a studied choice of finishes, materials and colors for coverings and curtains.The perceptive game of opposites infects the entire path, including the setting up of the transition spaces, "in a game of continuous references between contemporary interior design, famous examples of art from the past and the decorations of the ancient palace, which we have deliberately left it exposed.Like the crystal chandeliers, the fireplace, the neo-baroque ceiling ".A natural scenography, perceivable as a background.A symbolic time axis on which everything happens in the comings and goings of history.Far from being treated as 'objects', plants are an integral part of the project and allow you to lengthen the path from the courtyard, which was artfully transformed into a temporary garden by Antonio Perazzi.The two large Cycas circinalis welcome the visitor at the entrance to announce - as the Milanese botanist, landscape architect and writer of Tuscan origins often points out - that "greenery is a daily need" and "the garden is the place to rediscover a human relationship with living".They are two precious specimens, sought with the enthusiasm and passion that distinguish it.Like all the greenery scattered in the rooms of Palazzo Bovara, they come from Catania, from the famous Vivai Piante Faro.The Cycas are planted in special clay pots made ad hoc with Atelier Vierkant.The Belgian artisans met by Perazzi, a tireless traveler, following the line of slow artisan beauty.Together they identified the exact chromatic choice: “The colors are shades of opaque green, shadows and clay.From shades of summer shadows to sage ".In these details, sought in aesthetic empathy with the plants they contain, we find the inevitable poetic 'feeling' that the botanist uses together with biological combinations and combinations.Other protagonists are: Eritrina, Musa, Brachichiton and the Canfora and Eugenia hedges.Step by step, everything was agreed through a constant exchange with Calvi Brambilla who considered the presence of greenery in almost all the rooms, providing, for one in particular, special basins designed with ceramic tiles.“In the past the green, in the planning stages, played the role of Cinderella” - remarks the landscape architect rightly pleased - “now it is the starting point”.The game of opposites is the lens with which to cross and look at all the spaces designed by Calvi Brambilla where the environments reveal themselves in the imprinting that the design leaves in the objects, making them always current.Between memory and wonder, the exhibition is built in the wake of opposing feelings, mixing citations of art and interior design.Without forgetting that the hands are on today and the feeling diluted in the rooms of the eighteenth-century Palazzo Bovara is that of our days.Regardless of the passing of time, some of the first furnishings leave their testimony.While the unexpectedly pink technical net here covers, but without hiding from view, the original structure of the building.The presence of History is unconsciously registered in the winking see-through-no-see.And we proceed.Furniture: Table lamp Panthella Table 320, Verner Panton, 1971, Louis Poulsen Stool Eur, Fabio Novembre, 2017, Kartell Stool Gaja Bar, Kazuhide Takahama, 2013 (designed in 1974), Cassina Armchair Soriana, Afra & Tobia Scarpa, 2021 (designed in 1969), CassinaFinishes: Semi-flexible tileAttraction®, Gerflor DesignDepartment, Gerflor 12mm porcelainstoneware slabs with antibacterialtechnology PuroMarazzi AntibacterialThe Top Stone LookTravertino, StyleCenter Marazzi Group, 2022, MarazziIt is the prelude to the exhibition.With the idea of a vital fusion between design, architecture and people, the image of objects is crystallized, not museumized.Art teaches.The mirror is a multipurpose metaphor.Capture the diversity.In the reflection of the real image, the virtual exchange takes place between the object trapped in the mirroring volume and the viewer, in a relationship that from static becomes suddenly dynamic.While the peculiar virtue of design of creating deep ties between us and what surrounds us is restored, we allude to the variegated contemporary living landscape characterized by the coexistence of present and past.Space and time, in the exhibition, are used as tools to explore the history of design, understand the changes and why there are things that are not wiped out as the design seasons change.The harmony that is created between objects designed yesterday and products of today is to be sought in the spirit that unites them to be discovered in the four rooms to follow.Furniture: Lounge chair Leyasol, Hoffmann Kahleyss, 2019, Freifrau Manufaktur Stool Strong Stool, Eugeni Quitllet, 2019, Desalto Armchair Benasal, Studio expormim, 2012, Expormim Armchair Cross, Marcello Cuneo, 1974, arflex Mirror Ultrafragola, Ettore Sottsass, 1970, Poltronova Sofa DS-600, Ueli Berger, 1972, de Sede Table lamp AJ Table, Arne Jacobsen, 1960, Louis Poulsen Table Quaderna 2600, Superstudio, 1969-1972, Zanotta Chair Gentle, Front, 2012, Porro Armchair Polet, Achille Castiglioni, 1992 , Twils Sofa Geo, Paolo Grasselli, 2018, Saba Armchair Do-Maru, Nipa Doshi & Jonathan Levien, 2016, B&B Italia Library Nuvola Rossa, Vico Magistretti, 1977, Cassina Drawers Mobil, Antonio Citterio and Oliver Löw, 1994, Kartell Armchair Sanluca , Achille and Pier Giacomo Castiglioni, 1960, Poltrona Frau Floor lamp Fantasma Piccolo, Tobia Scarpa, 1961, Flos Armchair Armadillo, Gianni Pareschi, 2009, Busnelli Coat hanger Officina, Ronan & Erwan Bouroullec, 2016, MagisFinishes: Semi-flexible tile Attraction®, Gerflor Design Department, GerflorIt is an interlocutory space, designed in aesthetic continuity with the reception.It contains a hint of the compositional possibilities of time and space.In a dominant position in terms of size, is the sofa.It recalls the original 1982 advertising campaign of the Baroni studio spread for its launch.In the message, the upholstered furniture, compared to a human body “made of skin and bone”, is capable of “arousing the desire to possess and transform the house into a suggestive dwelling.This is why it can happen that a sofa or an armchair, chosen for their functionality, are also transformed into an object of affection ".It seems to agree with the armchair born over ten years earlier.Without padding, cushions and armrests it holds the comfortable seat in ecological white fur, with the graphic taste of a steel structure folded in the U-shaped corners. These are reinventions that push forward the modernist revolution of the beginning of the last century, with new technical and creative possibilities .To be illuminated with today's sophisticated light graphics.Floor lamp Coordinates Floor, Michael Anastassiades, 2020, Flos Sofa Overture, Pierluigi Cerri, 1982, Poltrona Frau Armchair Baffo, Gianni Pareschi and Ezio Didone, 1969, Busnelli Pendant luminaire High Profile, MVRDV, 2022, Delta Light Finishes: Semi-flexible tile Attraction®, Gerflor Design Department, Gerflor Innovative material for interior design Fenix NTM®, Musa and Nemho, 2013, FENIX® Innovative Materials for Interior DesignLight trails follow the visitor into the corridor that connects the rooms, placing him in a digital ecosystem of sounds and colors.In the passage, the space is transformed.It is an interlude that here shifts the focus of perceptive openness from objects to people, with the hypothesis of a healthier and more conscious artificial integration.The playful simulation of the optical effect of lens flares - created in this installation by the collective Kokoschka Revival - recalls the interactive relationship we have with things and with the environment, even in our domestic interiors, now far from a rational organization.In a new emotional hierarchy, between real and virtual, what remains of the past becomes present.Not only as a citation and memory, but to dilute in a future of complex connections that we hope will be happy.Sofa Plastics Duo, Piero Lissoni, 2010, Kartell Stool Calice, Ettore Sottsass, 2015, KartellFinishes: Semi-flexible tile Attraction®, Gerflor Design Department, GerflorDesign looks at the world through the shapes it creates, and we adapt them to the realities that compose it.The furnishings collected in this room are inspired by the shapes of geometry, as if they were mental abstractions of types of furniture.They are the result of a coherent design development that translates the needs of a functional, social and formal nature, thinking of a harmonious insertion into the environment.Often confused with the concept of minimal, essential means indispensable or containing the essence of something.In the case of design: the building block.Simplification is the search for a balance which, in the compositional elements of the objects, leaves no room for the superfluous and often makes them practical and ethical.This remains.And then, to obtain the definition of a shape, the material is modeled up to the allowed limit.Unexplored techniques are adopted.What is elementary in sculptural is overturned.The amazement of stability is sought in a union of forms that appears precarious.Furniture: Floor lamp Croma, Luca Nichetto, 2021, Lodes Table Element, Tokujin Yoshioka, 2013, Desalto Chair Chair_One, Konstantin Grcic, 2004, Magis Kitchen Italia, Antonio Citterio, 1988, Arclinea Single-control countertop mixer for single-hole kitchen CRIKK508 , Kitchen Contemporary Collection, Cristina Design Lab, 2013, CRISTINA Rubinetterie Stool Brina, Piero Lissoni, 2019, Porro Wall lamp Nastro, Studiopepe, 2021, Tooy Bench Traffic, Konstantin Grcic, 2014, Magis Floor lamp Moonsetter, Anne Boysen, 2021, Louis Poulsen Sofa Kennedee, Jean-Marie Massaud, 2011, Poltrona Frau Table Kyoto, Gianfranco Frattini, 1974, Poltrona Frau Small table Mini Clay, Marc Krusin, 2016, Desalto Armchair Mies, Archizoom Associati, 1969, Poltronova Bench Refolo, Charlotte Perriand, 2004 (designed in 1953), Cassina Console Void, Guglielmo Poletti, 2019, Desalto Floor lamp Sawaru, Nendo, 2018, Flos Hand knotted carpet Campiture White Black, Elisa Ossino, 2021, Amini CarpetsFinishes: Synthetic fur Monkey, Glamor Lab, 2021, Glamor Textile Design Lab Big size porcelain stoneware slabs Grande Solid Color Look, Style Center Marazzi Group, 2018, Marazzi Curtain textile Zulu 2, Giulio Ridolfo, KvadratStyling: Lectern by Studio Irvine, Danese Books by Bruno Munari, Corraini Edizioni Marble vase by Karen Chekerdjian, MMairo Bowl set by Neri & Hu, When Objects Work Marble tray by Piero Lissoni, Salvatori Carafes by Mario Botta, Alessi Marble bowl by John Pawson, When Objects Work Silkscreen art print by Enzo Mari, Danese Metal arrow by Alexander Girard, Vitra PPP, Zaven Pan by Aldo Rossi, Alessi Fruit bowl by Ron Gilad, Danese Bottle by Mist-O, Ichendorf Silkscreen art print by Enzo Mari, Danese Glass set by Joe Colombo, Karakter Bottles by Elisa Ossino and a + b, Paola C. Wooden tray by Vincent Van Duysen, When Objects WorkStripes of color expand in the room with the complicity of mirrored walls.More than a simply optical-pop space, it is the communicative frame of the dynamic space.Just look at the decor.Breaking with the idea of a fixed and reassuring style, it transmits - especially in those who choose it - the creative possibilities from which each inserted piece is born.Adaptable and combinable.Equipped with wheels.Conceived to change configuration and size through constructive expedients, they are universal objects that can move independently in space, making full use of it.They are a source of stimuli and continuous inspiration on how and where to place and use them.They offer themselves to satisfy the most diverse needs and help to change atmospheres and sensations in environments that are always active, convivial and shareable.For all these characteristics, introduced at the most diverse moments in the history of furniture and interiors, some are recognized as 'classics' and the new ones, from time to time, follow their footsteps and destiny.Like the company that requires them.Furniture: Stool 360 °, Konstantin Grcic, 2009, Magis Wall and ceiling lamp Manifesto, Timo Ripatti, 2022, Axolight Rotating shelf unit Joy, Achille Castiglioni, 1989, Zanotta Varsatile storage unit Comodo, Achille Castiglioni & Giacomo Pozzi, 2018 (designed in 1988), Karakter Sofa system Todo Modo, Jean-Michel Wilmotte, 1993 / reissue 2018, Tecno Wall lamp 265 Chromatica, Paolo Rizzatto, 1973, Flos Chaise-longue Wink, Toshiyuki Kita, 1980, Cassina Screen Paravent Ambassade, Charlotte Perriand, 2021 (designed in 1969), Cassina Table Big Will, Philippe Starck, 2015, Magis Stool DS-5010, Simon Busse, 2020, de SedeFinishes: Semi-flexible tile Attraction®, Gerflor Design Department, Gerflor Double-fired glazed ceramic 5x20 Mattoncino, 2022, AcquarioDue Curtain textile Ginger 2, Anne Fabricius Møller, Kvadrat Innovative wall coverings for interior design X-KIN ™ by FENIX®, Musa and Nemho, 2022, FENIX® Innovative Materials for Interior DesignFragrance: Eau de parfum Fulgor, Silvio Levi and Maurizio Cerizza, 2011, Calé Fragranze d'AutoreStyling: Ceramic composition by Ennio Nonni Ceramic vases by Alvino Bagni, Nuoveforme Wooden box by Michele de Lucchi, Alessi Panton Chair miniatures, Vitra Perpetual calendar by Enzo Mari, Danese Pop-up book "Munari's travel sculptures" by David Carter, Corraini Edizioni Rechargeable table lamps by George Sowden, SowdenLight Door stop “Ettore” by Konstantin Grcic, Magis Radio by Marco Zanuso and Richard Sapper, Brionvega Books, Henry Beyle EditionsCameras: by Leica Camera Italia Rangefinder Digital Camera Leica M11, Leica Camera AG, 2022 Rangefinder Analogue Camera Leica M6, Leica Camera AG, 1984 Screw camera, Leica Ic, Leica Camera AG, 1949Does form follow matter or does matter follow form?Each one responds in its own way, the furnishings defined in large and enveloping volumes.Seductive, they shape the clarity of their design in the curves and solids and boldly occupy the space.Cartoon genetics dictates the law and technology helps to launch the challenges of typological change and subvert the rules.Just as an entire sofa can develop from a single cushion, so an upholstered armchair softens the inspired brutalist lines.Instead, a huge horseshoe-shaped sausage defines the back and armrest of a wide low chair, obtained with two different rotational moldings and combining a rigid plastic and a more elastic polymer.A curtain curtain, molded in rigid polyurethane, suggests sculptural voluptuousness to a table for its base.A wide ribbon of elatex outlines a welcoming chaise longue on a metal tubular structure covered with a polyurethane foam sheath.The effect of a thing shaped on a freehand sketched idea does not change if the material is fragile, transparent and diffuses light.And not even if it strengthens the wooden legs of chairs and consoles while maintaining the right grace.The elegant softness and visual comfort of the furnishings are reflected in an environment of opposite feeling.Extremely hard, made of metal and ceramic, interspersed with textile backdrops, it diffuses a refined scenic effect of rigor and light.Citing a trend that is once again current, it accentuates the need for a material presence in the interiors.The shades of gray tones create a neutrality that is always alive, intercepting and returning the glow of the context and of what it contains and pushes the risk of combinations.The dilated proportions of the furnishings fade into the reflections of the walls and show their plastic, natural and organic lines to make the real world fantastic.Metaphor of a place that is once again hospitable.Furniture: Table Console Table, Aldo Bakker, 2019 (designed in 2017), Karakter Table lamp Flar, Patrick Norguet, 2022, Lodes Low chair Sam Son, Konstantin Grcic, 2016, Magis Floor lamp Chiara, Mario Bellini, 1969, Flos Armchair DS -707, Philippe Malouin, 2020, de Sede Stool Pilastro, Ettore Sottsass, 2015, Kartell Sofa Camaleonda, Mario Bellini, original project 1970 / re-edition 2020, B&B Italia Small table Tobi-Ishi, Edward Barber & Jay Osgerby, 2018, B&B Italia Armchair Fiocco, Gianni Pareschi, 1970, Busnelli Floor lamp VL Studio Floor 320, Vilhelm Lauritzen, 1940, Louis Poulsen Dining table Teatro Magico, 967 Arch, 2022, Saba Armchair Botolo, Cini Boeri, 1973, Arflex Floor lamp Noctambule Floor, Konstantin Grcic, 2019, Flos Armchair Joe Colombo, Joe Colombo, 2011, Kartell Low table Réaction Poétique, Jaime Hayon, 2015, Cassina Floor lamp AJ Floor, Arne Jacobsen, 1957, Louis Poulsen Folding door Dooor, 2022, Dooor Wall lamp Puzzle Mega , Studio Italia Design, 2019, LodesFinishes: Upholstery Balboa, Sahco, Kvadrat Finest metal surfaces made in Germany Homapal®, 1952, Homapal® Porcelain stoneware Mystone Ceppo di Gré, Style Center Marazzi Group, 2017, Marazzi Curtain textile Technicolour Fade, Peter Saville, 2021, Kvadrat Styling Marble vase by Studiopepe, Blocstudios Marble vases by Valentina Cameranesi Sgroi, Blocstudios Ceramic vases by Ettore Sottsass, Galleria Luisa Delle Piane Pitcher by Aldo Cibic, Paola C. Books, Henry Beyle EditionsHistory no longer seems to be behind us, but with us, all present in the contemporary home.Flexibility, autonomy, multifunctionality, interaction, adaptability, modularity.And any other exact characteristic linked to furniture and furnishings, borrowed over the epochs from specific needs, is simultaneously deeply absorbed in the idea of contemporary living.It seems the result of an evolution that has transformed us, after and with things.They are now conceived without a precise identity and we too put concepts before objects.Being everywhere in the same place.It read the digital promise at the turn of the last century.We got there.We're going there.We and, of course, things.Establishing an infinite attraction of inverse relations between time that accelerates and slows down, and space that loses and seeks its dimensions.Thus in a home it is common to see a cabinet with visible contents or which occupies an entire room.A sculptural bathtub or a double bed come out into the open and contaminate any environment.A kitchen that is compacted into a single block in the living room, detaching itself from every wall.Recognize a piece and notice it different depending on the context in which it is inserted or the finishes with which it is made.The office is also home and the office is like home.A living room can be inside or outside, and vice versa, by mutual understanding of aesthetic and material styles.The accessories then follow in turn all the routes of creativity of use, together with tables, lamps, chairs and benches.Always interchangeable in the different areas of the house, they alternate the old with the new.Limits and categories are overcome in a perceptive amalgam, made of materials and colors, rather than styles.Urged by our lives poised between the real and the artificial, we strengthen the bond with nature that imposes the order of a limit to be protected.While the production processes are calibrated to favor change, we try to experience a holistic relationship in the spaces where we live.In this scenario, the most classic materials recover a new place in the world of interiors.Like the small-format ceramic that here draws the profiles of the room in dialogue with original stuccoes and furnishings, blended in a frank way with the setting.Trace planters, fixed furnishings, luminescent and sculptural walls.It measures the modularity of a different and fascinating compositional freedom and shows its flexibility in enhancing an aesthetic and functional cadence as well as a chromatic harmony.In recovering a story that belongs to her, she contributes to hybridizing the environments by writing the story of still unseen possibilities of living.Furniture: Floor multi projector Cestello, Gae Aulenti and Piero Castiglioni, 1993, iGuzzini (out of production / iGuzzini Historical Archives) Flower-pot stand Albero, Achille Castiglioni, 1983, Zanotta Floor lamp Nastro, Studiopepe, 2021, Tooy Armchair Strong Special, Eugeni Quitllet, 2022, Desalto Double bed Biggie Collection, Luca Nichetto, 2022, Twils Double-side composition USM Haller, USM design team, 2022, USM Modular Furniture Single-control floor-standing mixer for bathtub CRITA189, Contemporary Collection - Tabula series, angelettiruzza design, 2019, CRISTINA Rubinetterie Freestanding bathtub Oyo Duo, Stefan Diez, 2022, Kaldewei Floor lamp Bul-bo, Gabetti and Isola, 2021, Axolight Pouf Honey, Fabio Calvi and Paolo Brambilla, 2013, Saba Pouf Honey, Fabio Calvi and Paolo Brambilla, 2013, Saba Table lamp Polsino, Gio Ponti, 1968, iGuzzini Round coffee table Frames, Jaime Hayon, 2014, Expormim Upholstered low backrest armchair Frames, Jaime Hayon, 2014/2021, ExpormimFinishes: Gloss-effect porcelain stoneware wall covering Crogiolo Rice, Style Center Marazzi Group, 2020, Marazzi Multi-layered vinyl floorcovering Taralay Impression Compact, Gerflor Design Department, GerflorFragrance: Eau de parfum Roboris, Silvio Levi and Mark Buxton, 2011, Calé Fragranze d'Autore Eau de partfum Libera Mente, Silvio Levi and Maurizio Cerizza, 2019, Calé Fragranze d'AutoreBedding: Blanket Pregiate 1867 - Ulysse, Somma1867 Throw Plaid 1867 - Gold, Somma1867 Throw Plaid 1867 - Ulysse, Somma1867 Throw Plaid 1867 - Heritage, Somma1867 Under sheet Origami, Somma1867 Pillow case Origami, Somma1867 Sheet Origami, Somma1867 Duvet cover set sack Origami, Somma1867 Duvet cover set Oscar - Crono, Somma1867Styling: Clothes, Plan C Desk clock by George Nelson, Vitra Hen by Francesco Faccin, Woodyzoody Chick by Federico Angi, Woodyzoody Woodpecker by Lanzavecchia + Wai, Woodyzoody Little bird by R&E Bourollec, Vitra Beauty products Equation BeautyGreenery: Aloe spinosissima Agave attenuata Agave lophanta 'Splendida' Agave lophanta 'Quadricolor' (Lighthouse Plants)Furniture: Floor multi projector Cestello, Gae Aulenti and Piero Castiglioni, 1993, iGuzzini (out of production / iGuzzini Historical Archives) Kneeling stool Primate, Achille Castiglioni, 1970, Zanotta Table Ferro, Piero Lissoni, 1994, Porro Armchair Nana, Hanne Willmann, 2021, Freifrau Manufaktur Floor lamp Sanremo, Archizoom Associati, 1968, Poltronova Wall lamp Ariette 1, Tobia Scarpa, 1973, Flos Side table Traccia, Meret Oppenheim, 2013 (designed in 1939/1972), Cassina Sofa Za: Za, Studio Zaven, 2022, Zanotta Armchair Aeo, Paolo Deganello with Archizoom, 1973, Cassina Table lamp Passiflora, Superstudio, 1968, Poltronova Table lamp Nitia, Rodolfo Bonetto, 1971, iGuzzini Versatile table, storage and shelving unit Rampa, Achille Castiglioni and Pier Giacomo Castiglioni, 2017 (designed in 1965), Karakter Hand tufted carpet Teorema Hybrid Gray Blue, Elisa Ossino, 2017, Amini Carpets Chair Smatrik, Tokujin Yoshioka, 2018, KartellFinishes: Gloss-effect porcelain stoneware wall covering Crogiolo Rice, Style Center Marazzi Group, 2020, Marazzi Multi-layered vinyl floorcovering Taralay Impression Compact, Gerflor Design Department, Gerflor Upholstery Husk, Marc Thorpe, KvadratStyling: Glasses by Sergio Asti, Arnolfo di Cambio Wine keeper by Ettore Sottsass, Alessi Bar set by Aurelien Barbry, Georg Jensen Wooden tray, When Objects Work Vase by Calori & Maillard, Paradisoterrestre Books, Edizioni Henry Beyle Clock by Giulio Iacchetti, Internoitaliano Clock by Pio Manzu, Alessi Accessories by Bruno Munari, Danese Magnifying glass by Giulio Iacchetti, Internoitaliano Zuperfici Vases by Duccio Maria Gambi, courtesy Nero Design Gallery Stand by Jaime Hayon, Cassina Cushions by Raf Simons, Kvadrat Notebooks, PdiPigna Greenery Medinilla magnifica Rhyncospermum jasminoides (Piante Faro )Furniture: Floor multi projector Cestello, Gae Aulenti and Piero Castiglioni, 1993, iGuzzini (out of production / iGuzzini Historical Archives) Bench and accessories Ace collection, Patrick Norguet, 2022, Ethimo Loveseat Pepe, Benedetta Tagliabue - EMBT, 2013, Expormim Round coffee table Trio, Studio expormim, 2012, Expormim Round coffee table Trio, Studio expormim, 2012, Expormim Floor lamp Luminator, Achille and Pier Giacomo Castiglioni, 1954, Flos Wall-mount external set for shower / bathtub CRIXT769, Shower & Bath System, Cristina Design Lab, 2016, CRISTINA Rubinetterie Sandwich special anti-scale rain effect showerhead CRIPD953, Shower & Bath System, Cristina Design Lab, 2018, CRISTINA Rubinetterie Wall-mount shower arm CRIPD411, Shower & Bath System, Cristina Design Lab, 2008, CRISTINA Rubinetterie Shower tray Geberit Sestra, 2019, Geberit Shower toilet Geberit Aquaclean Mera, Christoph Behling, 2015, Geberit Actuator plate Geberit Sigma70, 2014, Geberit Towel-rack Servietto, Achille Castiglioni of the range Servi by Achille and Pier Giacomo Castiglioni, 1986, Zanotta Chair Flair O ', Monica Armani, 2021, B&B Italia Table lamp Aoy, Achille Castiglioni, 1975, Flos Washbasin Geberit Variform, 2018, Geberit Tall single-control countertop mixer for single-hole washbasin CRITV222 Contemporary Collection - Tricolore Verde series, Cristina Design Lab, 2001, CRISTINA RubinetterieFinishes: Gloss-effect porcelain stoneware wall covering Crogiolo Rice, Style Center Marazzi Group, 2020, Marazzi Multi-layered vinyl floorcovering Taralay Impression Compact, Gerflor Design Department, Gerflor Upholstery Husk, Marc Thorpe, KvadratFragrance: Eau de parfum Roboris, Silvio Levi and Mark Buxton, 2011, Calé Fragranze d'Autore Eau de partfum Libera Mente, Silvio Levi and Maurizio Cerizza, 2019, Calé Fragranze d'AutoreBath linen: Bath towels Nubes, Somma1867 Bath towels Memory, Somma1867